What is a logline? Well, if you’re an author, you may have had that classic moment where you tell someone you’re writing a book, they ask what it’s about, and then you ACTUALLY HAVE TO TELL THEM. A logline is that crisp, convenient, one-sentence-ish premise that falls effortlessly from your lips in answer, smoothly summing your story and sparing all parties embarrassment in a single breath. You know– that description you can give for like any book or movie ever, whether you liked or watched or even finished reading it or not. That you definitely don’t stumble over when describing your own work. Goodness, no.
Because chances are you are sensible: that at some point you’ve developed a brief oral pitch to use as a flotation device. Me? I know what it is to flounder. I floundered a lot with my first book. I still splash a bit, but I’m getting better with time and each subsequent novel.
One thing that really helped in defining my last book, both to myself and to others, was starting with the synopsis. Plotting roughly what was going to happen before I actually started writing not only gave me a road map for the novel ahead of me; it made it easier to talk about.
That’s why I can really get behind screenwriter Blake Snyder, who emphasizes the importance of starting with a good logline in his screenwriting book, Save the Cat!:
“If you don’t have the logline, maybe you should rethink your whole movie.”
The same should hold true for books. If you can’t answer what your story’s about (in Snyder’s words: “What is it?”) succinctly and compellingly, there’s a chance that you don’t really have one. Or that it needs work. And why waste time writing something that doesn’t sing to you and to others? Without a north? A logline is your novel at its barest: the bones upon which the story rests. It only makes sense to build from the foundation up.
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That said, I am curious to hear your thoughts, fellow writers! I know there are pantsers as well as plotters out there, and some people feel stifled by any planning prior to writing.
What is your approach? What do you find works best?
Julie Israel 