It may seem paradoxical of me to be writing this post from the depths of revision #832-B in my current project, but the fact I would quote such a number, even in hyperbole, should convey something in and of itself about the mutability of a story and how frivolous it is to try to get anything right the first time.
There are two major reasons it is useful, even necessary to write the most horrible first draft you can:
- The one you hear all the time: Because it’s the only way you’ll FINISH the darn thing! Creating an entire story and funneling it from your head onto paper is difficult enough without wanting it to glow in your first draft. I think many writers dive into a project with high energy, but then they lose steam in the tough spots because they want the prose to be just right, the plot point to be just right, the transition to be just right, and when it eventually, inevitably isn’t they get stuck and frustrated and jump ship. With the first draft, you just have to let loose. Hokey pokey, being bad is what it’s all about! Write with reckless abandon, worry about the fine stuff later. Who cares if it’s full of holes when you finish? That’s what revision is for!
- The one you hear less often, because many manuscripts never make it that far: The story will fluctuate with every revision. Sometimes in colossal ways. You will add one scene and cut another. Write a character in or out. Work things up, work things down, slash whole chapters, change the ending, adjust a huge plot point that has repercussions all throughout the book. Writing a crappy first draft is important because you need to get all the pieces on the board before you can step back and see the story objectively, in its entirety, and figure out how to adjust the parts to make the whole better.
What’s your first draft process like? Any tips for first-time novelists? Share in the comments below!